inz-india

Introduction The folk theatre of Karnataka is far more than a source of entertainment; it is a deeply spiritual and cultural practice that reflects the traditions of rural communities. These performances are closely tied to rituals that invoke divine and supernatural powers, creating a unique blend of devotion and drama. The coastal regions of Karnataka, with their dramatic landscapes of forests, heavy rains, and valleys, have long been associated with the presence of phenomenal forces. Rituals such as Kola, Nema, Agel Tambali Bandi, and Ayana are celebrated with grandeur, where spirits or Bhutas are invoked to guide the destiny of individuals and communities. These ceremonies, combining dance, music, and impersonation, form the very foundation of Karnataka’s folk theatre. Ritualistic Dance Traditions Karnataka possesses a rich Legacy of ritualistic dance dramas, many of which are highly dramatic in nature. Costumes and Make-up : Performers wear elaborate costumes and s...

Introduction The Badami Chalukya sculptures represent one of the most fascinating chapters in the evolution of Indian art and architecture. Flourishing between the 5th and 8th centuries CE, the Chalukya dynasty pioneered a distinctive style that harmoniously blended southern Dravidian traditions with northern Nagara influences. Their patronage of Temple building and sculpture produced masterpieces in both rock-cut and structural forms, leaving behind a cultural legacy admired for its craftsmanship, symbolism, and spiritual depth. Evolution and Features The Chalukyan style emerged during a transformative era in temple architecture. Two primary forms of monuments defined this period: Rock-cut temples , carved directly into sandstone cliffs. Structural temples , constructed with soapstone blocks. Soapstone’s pliability allowed artisans to achieve intricate detailing, resulting in finely sculpted figurines and decorative motifs. Distinctive architectural features i...

Introduction The Koli Dance is one of the most spirited and colorful folk traditions of Maharashtra, performed by the Koli community, who are traditionally fishermen. This dance is more than just entertainment it is a vibrant celebration of their livelihood and a reflection of their cultural heritage. Among the many elements that make this dance captivating, the costumes worn by the performers stand out as Powerful Symbols of Identity , tradition, and artistry. Both male and female attire is carefully designed to represent the community’s lifestyle, values, and aesthetic sensibilities, making the dance a living expression of heritage. Female Costumes Female performers in the Koli Dance typically wear traditional green saris, draped in a distinctive style tied up to the knee. This unique draping allows ease of movement during the energetic steps of the dance. The green color is not chosen at random it symbolizes prosperity, harmony, and the community’s deep connection with nature ...

Vastu Shastra, the ancient Indian science of architecture, emphasizes harmony between human dwellings and cosmic energies. Among its many principles, Muhurta the auspicious time chosen for significant actions holds a central place. Muhurta is not merely a ritualistic tradition; it is believed to influence the prosperity, longevity, and happiness of the household. Just as the design and orientation of a building matter, the timing of its commencement and completion is equally vital. Meaning of Muhurta in Vastu Muhurta refers to the favorable moment determined by planetary positions, lunar days (tithis), and constellations (nakshatras). In Vastu Shastra , it is considered as important as the methodology of construction itself. Activities such as: Fixing the main door frame Digging the foundation Performing Griha Pravesham (housewarming ceremony) are all recommended to be carried out at carefully chosen Muhurtas to ensure harmony and prosperity. Influence of Tithis ...

Introduction The Mishing tribe, also known as Miri by the local people, is one of the prominent indigenous communities of Assam. They chiefly reside in nine districts Dibrugarh, Golaghat, Tinsukia, Sonitpur, Darrang, Sivasagar, Dhemaji, Jorhat, and North Lakhimpur. Traditionally, the Mishings prefer to settle along riverbanks, building small huts or Chang Ghars houses raised on stilts to protect against floods. Their Villages are Scattered across Assam , each reflecting a unique blend of tradition, craftsmanship, and community life. Ghagar Village Ghagar, located along the Subansiri River in Lakhimpur District, lies about 12 km from North Lakhimpur town. With nearly 65 households, the village is known for its traditional looms, as every family owns one. The Chang Ghar style of housing is a hallmark of Mishing architecture, symbolizing their adaptation to the flood-prone environment. Ghunasuti Village Situated 16 km from North Lakhimpur, Ghunasuti requires crossing the Subansi...

Introduction “The Romanticists’ explanation of creativity convinced me so that the painterly skills seemed to me to be more in the realm of technique as in the case of craftsman and the creativity implied what a painter could be beyond this. That is why how a poet or literary person sees the world around him, gets involved with experiences of life and how they affect his emotions, are according to me the sort of situations that a ‘feeling person’ encounters, contributing to the making of the creatively endowed artist. Ratan Parimoo. This profound reflection captures the essence of Ratan Parimoo’s philosophy. For him, creativity was never limited to technical mastery; it was a deeper engagement with emotions, imagination, and lived experiences. One of modern India’s most distinguished art historians and painters, Parimoo embodied this belief throughout his life. His canvases and writings reveal a restless, searching mind committed to exploring the many dimensions of art, bridging sc...